Tammy Reed's Great Reads!
Reviews for Children and Young Adult Literature.
Sunday, May 12, 2013
Sunday, April 28, 2013
Wednesday, May 2, 2012
Every Thing On It by Shel Silverstein
Silverstein, Shel. Every Thing On It: Poems and Drawings. New York: Harper, 2011. ISBN: 9780061998164
Twelve years after his death, Shel Silverstein’s
family has compiled never before released drawings and poems. Anyone familiar
with Silverstein’s talent and humor will find his posthumous contemplation just
as odd, gross and hilarious as his other works. Every Thing On It includes 145 poems in all. Silverstein rejected
these pieces from his earlier publications as they did not fit the tone he was
trying to achieve in prior works.
The collection is arranged with a single poem taking
up a page or a two page spread accompanying one of Silverstein’s black and
white drawings. His use of figurative language makes the collection one that stimulates
fun, as the use of play on words creates a laughing good time.
In
Her…
In her mink coat
And her buckskin pants
And her lizard skin boots
With the rattlesnake bands
And her beaver hat
With the raccoon tails
We heard her shoutin’…
SAVE
THE WHALES
Included in the book is an index, making it easier
for readers to locate particular drawings. The book's opening, dedicated “For
You” and the final poem, “When I’m Gone” causes the reader to reflect on the author,
his other works and the part each has played in our lives.
When teaching about plagiarism/cheating to
elementary students I would begin the lesson with a reading of Silverstein’s
poem titled,
The
Problem.
Jim copied the answer from Nancy
Sue copied the answer from Jim
Tim copied the answer from Sue, and then
Anne copied the answer from him
And Fran copied Anne and Jan copied Fran
The answer kept passing along
And no one got caught, but the problem was-
Nancy had it wrong.
Discussion could continue about the importance of
doing one’s own work and giving credit to those we get information from.
Requiem: Poems of the Terezin Ghetto by Paul Janeczko.
Janeczko, Paul B. Requiem:
Poems of the Terezin Ghetto. Somerville, Ma: Candlewick Press. 2011. ISBN: 9780763647278
Poet Paul Janeczko takes a small part of the Holocaust and
gives a haunting glimpse of Jews that were imprisoned in the Terezin Concentration
Camp. This camp was noted as being the place where Jews of artistic talent were sent by Hitler.
While many of the characters found in Janeczko’s poetry in
verse are fictitious, they were in fact researched by the author and are based
on an actual place, time and facts of this horrific time period. The author
weaves for the reader eye opening situations, pain and the feeling of despair.
One short poem depicts the harshness of the situation and how desperate
prisoners felt.
Blue sky
Beyond
Barbed wire.
I wish I were
Sky
The reader can envision what it would be like to stare at
the big blue sky, looking at it through the wire fence and knowing there is no
way out. The world keeps turning but for a prisoner in the camp, time stands
still.
Free verse poems are cataloged in a Table of Contents by a
person’s name, tattooed number or German military rank. Information about the
actual encampment and people are included in a page provided by the author at
the end of the collection. Also included are English translations for a few
foreign words used in the book. Books, websites and multimedia resources are
listed, so if the reader are so inclined, they may do additional research into
the topic. Black and white charcoal drawings used to illustrate the camps life
and its occupants are actual drawings that survived the Holocaust.
After reading this book with a group of students I would
lead them in a research project about actual prisoners that were in the camp
using library and internet resources. Students would select a prisoner and
researchhis/her lives and outcome. I would then ask them to follow the “I Am From”
poem template to write about their prisoner selection.
Poem template can be found at the following link: http://www.scholastic.com/content/collateral_resources/pdf/t/Target_I_am_from%20poem.pdf
To lead this project I would reread and spend time discussing
this poem from the book.
I am Miklos
The younger boys in
L410
call me professor.
Because I know many
words?
Because of my large
glasses?
Because I like to
write
in a small notebook
that I conceal from
the guards
in my shoe?
I am fragile
With fear.
Miklos
talks about his love of writing and the lengths he goes to conceal it. Discuss
with students the importance of writing/journaling to document someone’s
presence. Then, lead in with the poem activity after research.
Falling Hard: 100 Love poems by Teenagers edited by Betsy Franco
Franco, Betsy. Falling
Hard: 100 LovePpoems by Teenagers. Cambridge, MA: Candlewick Press, 2008.
ISBN: 9780763634377
Falling Hard is an
anthology of poems written by teenagers from all over the world and were
emailed at the request of the author. It is unclear how the project was
launched but all poems contain the same theme: love. Poems were sent from all ages, gender,
sexual orientations and cultures. While the author only tells their name and age,
from the poem one can get a sense of the poet’s background and their feelings
about the topic. Teens will find the honest vocabulary, creativity and style of
these poets, ones they can identify with, which makes this book a popular
selection among teens.
Regardless
The phone rings
I feel a rush
The doorbell rang
It was you
I love you
The cops came
They asked me questions
They were looking for you
I love you
The boys came
They swore and broke the windows
It was your fault
I love you
She asked where her money was
I knew it was you
I love you
We robbed the woman
I handed you $500
You disappeared
You’re a thief
I love you
You did that crazy thing to me and her
It felt good
It was you
I love you
As we rode side by side
Metal locking our wrists
We smiled
I love you
Lisa Vuolo, age 15
Poems range in content from infatuations, true love, love
gone wrong and heartbreak. Many of the poems are mature in nature and need to
be taken into consideration before sharing with an audience.
To introduce metaphors I would introduce the poem titled Love Poem.
I am
The flour
To your tortilla,
baby.
By Juan
Nunez, age 15
It’s short, simple and perfect for an upper elementary
discussion. To follow the lesson I would
use the two worksheets listed below to adapt a library lesson suitable for the
age group.
http://bogglesworldesl.com/metaphor_worksheets.htm
Wednesday, April 18, 2012
Seeing Emily by Joyce Lee Wong
Lee, Wong Joyce. Seeing Emily. New York: Amulet Books, 2005. ISBN: 9780810992580
Author Joyce Wong has written an engaging and rich book in the form of prose, and weaves together the story of a Chinese-American teen, Emily, as she is coming of age in two different cultural expectations. As Emily’s memories of youth are colliding with her present teenage angst, the imagery used by Wong is often point blank, lyrical and arranged beautifully. In a passage from the free verse titled, Sleepover, the reader see’s a glimpse of Emily’s maturity as she analyzes her friends after a tear-jerking discussion about family.
Suddenly,
watching the wavering spots
dance and slowly begin
to fade away into the light,
it occurred to me
That I hadn’t
really been seeing
my friends
fully before.
I’d always considered them
from only one perspective,
my own,
but there was so much more
to each of them
than I had realized.
Along with the typical teen issues of friends, boys and parents, Wong dives deeply into Art and Emily’s way to use art as a form of self exploration. During the course of the novel, Emily works on her own art, class art and a mural for the school. These opportunities give Emily a way to communicate her inner self to the outside world in a creative way. A trip to her parents homeland, Taiwan, allows her to explore her own mothers early art and native art, deepening her appreciation of her roots.
Metaphors are used throughout the passages and are what makes the novel radiate poetry. Often Emily compares her feelings to that of animals.
I imagined I was a cat,
her eyes shining
as she watches a goldfish
that shimmers on the floor.
Her relationship with a boy from school also plays out in metaphors. Her relationship is often depicted through the mural she is creating where a monkey and tiger represent her and Nick.
With the rustle of leaves
And a graceful leap
To another tree,
The monkey swings herself away,
Disappearing in to the green.
Even after she’s gone
Her screams echo back
So raucous and wild
They startle
A flock of birds.
The above passages are in response to her feelings after Nick refers to her in a derogatory way- his Geisha.
To begin a lesson about immigrants and immigration to America, I would share the below excerpt. I would find a picture as close to the description to display as the poem, Sailing for America, was read.
The young woman
in the photograph
wore a rose-colored qi-pao,
a long Chinese dress
with a slit at the ankles.
Looking
at this picture
I was struck by her features and expression
and I saw how much
she looked like me…
I could almost feel the salt breeze
teasing her dark, wavy hair,
styled like Au-de-li Hepburn’s in Roman Holiday.
Perhaps that day
the ship’s captain,
a friend of my grandfather,
passed her a red-cheeked apple he’d saved…
How did that apple taste
as my mother bit through the smooth,
shiny skin and crunched into sweet,
white meat? Perhaps
she licked a stray drop of juice
from her knuckle,
tasting ocean
and in that moment
of sweetness and brine
my mother looked out
over the endlessly waving sea
scattered with diamonds of light
and imagined the shores
of America.
We then would discuss the reasons for immigration. I would then have students create a mock passport to be used as journals, to be used in research about immigration to America, Ellis Island and their own family research. Passports would be used to write responses, take notes and hopefully, develop their own poem about their own travels.
Monday, April 16, 2012
Red Sings from Treetops: A Year in Colors by Joyce Sidman.
Sidman, Joyce, and Pamela Zagarenski. Red Sings from Treetops: A Year in Colors. Boston: Houghton Mifflin Book for Children, 2009. ISBN: 9780547014944
A Caldecott Honor book for 2010, Red Sings from Treetops is an attractive book of poetry that takes the reader through a delightful literary journey through the seasons and the colors identified during that time. Sidman uses alliteration along with vibrant adjectives to make her poems come to life. Joyce Sidman uses colors to explore each of the four seasons through imagery, metaphor, personification and a variety of other delightful techniques that beg for the poems to be shared and read out loud. A beautiful example of personification can be found in the poem Fall.
Fall
In FALL,
Green is tired,
Dusty,
Crisp around the edges.
Green sighs with relief:
I’ve ruled for so long.
Time for Brown to take over.
Brown,
fat and glossy,
rises in honking flocks.
Brown rustles and whispers underfoot.
Brown gleams in my hand:
A tiny round house,
dolloped with roof.
The vocabulary throughout each selection is challenging enough to maintain the interest of older readers yet playful enough to keep the younger students involved as well. Regardless, any age will find delight in this book.
This is the second time Sidman and illustrator Pamela Zagarenski have teamed together to develop magnificent works of art, either through the use of words or illustrations. Using the same style of artwork from their first collaboration This Is Just to Say (another wonderful example of two voices), Zagarenski uses mixed media paintings of collages, wood and computer illustrations to develop images fitting each poem. Crowns adorn the triangular shaped people as the reader sees them interacting with the poem on each page. A little white dog can be found on each page which gives the book a “Where’s Waldo?” type of appeal as small children clamber to be the first to spot the pooch.
When using this book in a lesson plan, I would make sure to show the cover to students up close and discuss the four trees pictured. I would ask students to describe the characteristics of the trees and how those descriptions describe the four seasons. I would want to spend some time on the art work as well, because it is just too beautiful to overlook!
After reading the book to students I would go back to the poem, Green Is New in Spring, reread it and have students share their ideas of personification.
Green Is New In Spring
Green is new
in spring. Shy.
Green pecks from buds,
trembles in the breeze.
Green floats through rain-dark trees,
and glows, mossy-soft, at my feet.
Green drips from tips of leaves
onto Pup’s nose.
In spring,
even the rain tastes Green.
Yellow slips goldfinches
their spring jackets.
Yellow shouts with light!
In spring,
Yellow and Purple hold hands.
They beam at each other
with their bright velvet faces.
First flowers,
first friends.
After reading and discussing the use of personification in this work I would ask students to share their thoughts on what colors they associate various items and tastes.
What color does cake taste like?
What color does coffee smell like?
What color is loud thunder?
What color does mad look like? Sad? Happy?
From those ideas I would group students to work on personification in a color poem of their choosing.
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